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From the moment the first look appeared, the show felt powerful and thrilling, charged with a sense of intimacy that resonated far beyond the runway. At its core, the collection was a love letter to women loving women — celebrating platonic devotion, female alliance, sexual freedom and the quiet strength of feminist bonds. Rather than presenting a singular vision of femininity, Dreaming Eli embraced polarity, juxtaposing fragility with rebellion, tenderness with destruction, creating a world where softness and strength coexist.
Texture became the language through which this narrative unfolded. Layering and stratification defined the collection, pushing the brand’s material experimentation to new heights. Lace — rendered in Dreaming Eli’s signature neutral palette — was layered delicately to form ethereal silhouettes that floated down the runway. Yet beneath this softness lay a raw and evocative tension: fabrics had been distressed, ripped and subtly burned, evoking garments with a lived history, as if each piece carried emotional memory within its fibres.
Craftsmanship elevated the collection further. Hand-shirred silks sculpted the body with fluid sensuality, while innovative textured knitwear added sculptural dimension to the looks. Hand-crushed pleated silks brought movement and depth, creating garments that felt almost alive as they shifted with every step.
The casting amplified the emotional intensity of the show. Models including Danielle Marcan and Lyric Mariah Heard walked the runway with a captivating presence, embodying the fearless spirit and complexity of the Dreaming Eli fearless woman.
In a season often driven by spectacle, Dreaming Eli delivered something far more powerful — a show that felt emotional, dramatic and profoundly moving. The Court of the Maddest Merriest Things Alive was not only one of the strongest presentations of London Fashion Week, but also one of its most heartfelt, leaving the audience with a lingering sense of beauty, intensity and quiet rebellion.
Written by Angela Goate
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Another standout win belonged to Tyla, whose Grammy victory signaled her global pop takeover. She marked the occasion in a fluid, body-skimming custom Dolce & Gabbana gown, blending sensuality with high-glam polish. The look felt celebratory yet controlled, perfectly matching her poised ascent.
Fashion legends and modern icons rounded out the night. Chaka Khan glowed in custom Valentino, while Chappell Roan embraced couture drama in Jean Paul Gaultier.
Crystal nostalgia shimmered on Paris Hilton in Versace, and Teyana Taylor delivered razor-sharp authority in Thom Browne.
At the Grammys 2026, every win was dressed to be remembered.
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Across the 11 award categories, winners included Sarah Burton for British Womenswear Designer of the Year, Grace Wales Bonner for British Menswear Designer of the Year, Little Simz for Cultural Innovator of the Year, and Jonathan Anderson for Fashion Designer of the Year.
This marks Anderson’s third consecutive win — and his first since joining the House of Dior.While Designer of the Year is often considered the highlight of the evening, this year’s Model of the Year award brought a wave of emotion through the hall. The honour went to Anok Yai, a South Sudanese refugee raised in the United States, who made history with her deeply moving acceptance speech.
Welcomed on stage by her industry peers and close friends Paloma Elsesser and Alex Consani (last year’s Model of the Year), Yai delivered a powerful and heartfelt message. She spoke about the struggles within the modelling industry, her own battles with self-doubt, and the persistent barriers faced by women of colour. Her words resonated across the audience, especially when she addressed young Black girls watching: “To all my little Black girls… your colour is not a curse.”
Before leaving the stage, Yai issued a call to action, urging the audience not to ignore the ongoing genocide in Sudan. Beyond her ethereal beauty and undeniable talent, Anok Yai once again proved her ability to move hearts and shift conversations.
The awards ceremony featured performances by Raye, the English National Ballet, and Tems, and included a moment of remembrance for the creatives the industry lost in 2025.
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This year’s show unfolded across a series of themed segments — Black Tie, Magic Hour, Hot Pursuit, Pink Halftime Show, Bombshell, and First Light — each delivering its own mood and fantasy. From sheer black lace and diamond-studded lingerie to angelic gold wings and blush-toned floral creations, every look was designed to celebrate confidence and individuality. The runway shimmered with creative storytelling, dramatic lighting, and a soundtrack that kept energy pulsing from start to finish.
What set 2025 apart was its message. Victoria’s Secret continued its evolution toward inclusivity, casting models of all shapes, sizes, and backgrounds. The blend of iconic Angels and new faces reflected a fashion world that finally celebrates every kind of beauty. As one model shared backstage, “This isn’t just about lingerie — it’s about strength, femininity, and being seen.”
The finale brought every model together in a moment of pure joy, hands raised high as pink confetti rained down. It was both a nod to the show’s glamorous history and a statement of its rebirth.
With its renewed vision and fearless artistry, the Victoria’s Secret Fashion Show 2025 proved that the Angels haven’t just returned — they’ve evolved.
Written By Angela Gaote
Images provided by Victoria Secrets
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